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    Solfeggio Frequencies

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    Re: Solfeggio Frequencies

    Post  mudra on Sat Apr 17, 2010 8:51 am

    Thank you for having moved this thread here Sui

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    Re: Solfeggio Frequencies

    Post  mudra on Sat Apr 17, 2010 8:53 am







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    Re: Solfeggio Frequencies

    Post  mudra on Fri Apr 23, 2010 2:09 pm

    Sofegio 528 : Morning meditation by Harmonic resonance project

    http://www.emusic.com/album/Harmonic-Resonance-Project-Solfeggio-528-Morning-Meditation-1-MP3-Download/11851544.html

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    Re: Solfeggio Frequencies

    Post  mudra on Fri Apr 23, 2010 2:15 pm







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    Re: Solfeggio Frequencies

    Post  mudra on Tue May 11, 2010 5:25 am



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    Re: Solfeggio Frequencies

    Post  mudra on Tue May 11, 2010 5:26 am



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    Re: Solfeggio Frequencies

    Post  mudra on Tue May 11, 2010 5:29 am

    The Sacred Geometry of Sound
    by Healer/Musician
    Ani Williams


    Sacred Geometry and the Structure of Music

    Legend recounts how Orpheus was given a lyre by Apollo. By playing his
    lyre, Orpheus produced harmonies that joined all of Nature together in
    peace and joy.

    Inspired by this Orphic tradition of music and science, Pythagoras of
    Samos conducted perhaps the world's first physics experiment. By
    plucking strings of different lengths, Pythagoras discovered that sound
    vibrations naturally occurred in a sequence of whole tones or notes that
    repeat in a pattern of seven.

    Like the seven naturally occurring colors of the rainbow, the octave of
    seven tones — indeed, all of Creation — is a singing matrix of
    frequencies that can be experienced as color, sound, matter, and states
    of consciousness.

    This correlation of sound, matter, and consciousness is important. For
    as Stanford physicist William Tiller has proved, human consciousness
    imprints the space and matter of the universe. It is our intent that
    gives the direction and quality to Creation.

    I believe that this matrix of Creation is waiting for us to sound the
    most harmonious vibrating chord — to sound the universe itself into a
    perfect, idealized form.

    The Music of Atomic Shapes

    The Platonic solids, basic shapes of Sacred Geometry, are five
    three-dimensional geometric forms of which all faces are alike. And each
    platonic solid represent one of the five elements of creation, as
    follows:



    Tetrahedron — Fire
    Cube — Earth
    Octahedron — Air
    Dodecahedron — Ether
    Icosahedron — Water

    These five Platonic solids comprise the alchemical dance of the elements
    and of Creation itself. My introduction to the spiritual power of sound
    began with an experience of this truth.

    This happened many years ago, when I was studying with Michael Helios —
    who is for me a reincarnated Atlantean wizard. Helios discovered the
    musical proportions and corresponding tone scales for each of the
    Platonic shapes. He even tuned his keyboard to specific frequencies in
    order to achieve exact proportions.

    During his presentations, he would play the scales and geometries of
    each shape, without disclosing to his listeners which geometric shape he
    was playing. Participants meditated on each piece as he was playing it,
    and then described which of the shapes they had experienced.

    The results were extraordinary. Every Platonic solid was correctly
    perceived, felt, and "seen" during each of the five musical meditations.
    As a participant myself, this was my first experience of realizing the
    power of musical transmission and its potential to specifically re-order
    creation.

    This is exactly what the ancient mystics and scientists had always been
    telling us!

    The Dodecahedron, the Universe, and the
    Human Form


    When Michael Helios played his five compositions, I was most profoundly
    affected by the Dodecahedron. This shape can be seen to represent the
    order of the heavens and also the perfect mediation between the infinite
    and the finite — the sphere and the cube.

    So let us look more closely at this as one example of the sacred
    geometric forms that permeate Creation. Through seeing the simplicity
    and complexity of the Dodecahedron in its relationship of shape and
    sound, perhaps we can intuit the rest. And through understanding our
    relationship to the Dodecahedron, perhaps we can begin to sense our own
    place within the Divine Song that is Creation.

    The Dodecahedron is comprised of twelve pentagonal faces. It represents
    the fifth sacred element, the divine potentiality known as "ether."

    Considering that the Dodecahedron is made up of five-sided faces, it is
    fascinating that quantum physics researchers in the US and France have
    recently concluded that, based upon measurements of cosmic waves left
    over from the so-called "Big Bang," the universe itself is a
    Dodecahedron!

    Besides the fact that there are five platonic solids and five
    corresponding basic elements of life, it can be shown that the entire
    human race is joined in these same basic sacred proportions. For the
    physical body, with the arms and legs spread, is overlaid by a
    pentagram, with the fifth point being at the top of the head and the
    reproductive organs at the exact center.

    And each of these points also relates to the number five: five fingers
    at the terminus of each arm, five toes on each leg, and five openings on
    the face. Additionally, we each possess five senses of physical
    perception.

    So the Golden Mean proportions of the cosmos and our body temples are
    closely aligned with the harmony of the musical fifth.

    If we can imagine the dodecahedronal-pentagonal shape of this One Song
    that is the universe, together with the pentagram geometry of the human
    body, we find inherent in both a divine proportion and a potential for
    harmonic perfection. The universe and humanity ARE singing geometries.
    And it is we ourselves who embody the geometry of the cosmos!

    Phi and the Musical Fifth

    To follow this discussion, we first need to know that the Golden Mean
    and the Pentagram are closely related. For the angles of the five sides
    of a Pentagram are at a ratio of exactly 1.618 — the Golden Mean ratio,
    known mathematically as phi.

    The fifth is the interval found in most sacred music, and has a powerful
    harmonizing effect on the human energy system. It is the first harmonic
    sounded by a plucked string, and is what gives the note its depth and
    beauty. Its sacred sound is the hallmark of the Gregorian chant. In fact
    most divinely inspired music, including some New Age music and that of
    indigenous cultures, is built around the musical interval of the fifth.

    This music-geometry connection is well stated by Goethe, who said,
    "Sacred architecture is frozen music." The same is true of the
    "architecture" of the human body.

    It was Pythagoras who first described the fifth interval that has come
    to be universally recognized for its beauty. It is "an archetypal
    expression of harmony that demonstrates the 'fitting together' of
    microcosm and macrocosm in an inseparable whole. The fifth is a
    beautiful sound because it demonstrates how the universe works.

    And in building the phi proportions, along with those of the other
    musical intervals, into the designs of cathedrals and temples, the
    architects also are building in the effects of the musical intervals
    upon which the sacred proportions are based.

    These effects, immediately experienced as harmonious, powerful, and
    centering, can be experienced first-hand when one enters a Gothic
    cathedral or an ancient Egyptian temple. Being inside such a space helps
    us to access other dimensions of consciousness. It is the same
    experience that is reached through listening to sacred music.

    read full article here:
    http://www.netmar.com/~maat/archive/jan4/williams.htm

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    Re: Solfeggio Frequencies

    Post  Floyd on Tue May 11, 2010 5:44 am

    I attempted to make some solfeggio music a few months with some software I found for my synth. It ended up sounding like cat just been kicked frequency music. I need to review my methods.
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    Re: Solfeggio Frequencies

    Post  Nebula on Mon May 17, 2010 11:13 am

    Mudra,

    That Sacred Geometry post you have above sounds interesting. Thanks for posting it.

    love,

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    Sniff and the Tears - Driver's Seat @ 432HZ.

    Post  Mercuriel on Mon May 17, 2010 2:12 pm



    Turn it way up...

    cheers


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    Re: Solfeggio Frequencies

    Post  mudra on Mon May 17, 2010 2:20 pm

    That was really cool mercuriel cheers
    Uplifting and I loved the graphics too .
    Thanks

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    Re: Solfeggio Frequencies

    Post  mudra on Mon May 17, 2010 2:21 pm

    Floyd wrote:I attempted to make some solfeggio music a few months with some software I found for my synth. It ended up sounding like cat just been kicked frequency music. I need to review my methods.

    I remember you posting some of your music in PA.
    I liked it Floyd sunny
    Post it here .

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    Re: Solfeggio Frequencies

    Post  mudra on Mon May 17, 2010 2:22 pm

    Nebula wrote:Mudra,

    That Sacred Geometry post you have above sounds interesting. Thanks for posting it.

    love,

    Nebs

    You are most welcome Nebula .

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    Re: Solfeggio Frequencies

    Post  mudra on Sun May 30, 2010 6:29 pm

    Solar sounds



    "The Sun is playing a secret melody, hidden inside itself, that produces a widespread throbbing motion of its surface. The sounds are coursing through the Sun's interior, causing the entire globe, or parts of it, to move in and out, slowly and rhythmically like the regular rise and fall of tides in a bay or of a beating heart." (Kenneth R. Lang)

    Hear the Sun Sing

    Have you ever wondered what the Sun would sound like if you could hear it?
    Our Sun lies 93,000,000 miles away, surrounded by the vacuum of space. Sound won't travel through space, of course. But with the right instrument, scientists can "hear" pulsations from the Sun.

    The entire Sun vibrates from a complex pattern of acoustical waves, much like a bell. If your eyes were sharp enough, you could see a bell's surface jiggle in complex patterns as the waves bounced around within it.

    Likewise, astronomers at Stanford University can record acoustical pressure waves in the Sun by carefully tracking movements on the Sun's surface. To do this, they use an instrument called a Michelson Doppler Imager (MDI), mounted on the SOHO spacecraft, circling the Sun 1,000,000 miles from Earth.

    The Sun's acoustical waves bounce from one side of the Sun to the other in about two hours, causing the Sun's surface to oscillate, or wiggle up and down. Because these sound waves travel underneath the Sun's surface, they are influenced by conditions inside the Sun. So scientists can use the oscillations to learn more about how the structure of the Sun's interior shapes its surface.

    The Sun's sound waves are normally at frequencies too low for the human ear to hear. To be able to hear them, the scientists sped up the waves 42,000 times -- and compressed 40 days of vibrations into a few seconds. What you'll be hearing are just a few dozen of the 10 million resonances echoing inside the Sun.

    Litsen to the Sun's song:

    http://soi.stanford.edu/results/sounds.html

    A collection of solar sounds :

    http://solar-center.stanford.edu/singing/SOUNDS/

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    Re: Solfeggio Frequencies

    Post  mudra on Fri Jun 25, 2010 3:04 pm

    Beautifull Cheerful



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    Re: Solfeggio Frequencies

    Post  mudra on Wed Sep 01, 2010 7:05 pm

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    Re: Solfeggio Frequencies

    Post  mudra on Sat Nov 06, 2010 5:49 pm

    Shifting Frequencies: Frequency + Intent
    by Jonathan Goldman
    From "Sedona Emergence" July 1996


    This is Jonathan Goldman and Shamael talking to you about frequency shifting and the power of sound. Jonathan will deal with the psycho-acoustics of sound, as well as his own experiences. Shamael will deal with the inter-dimensional aspects of this work. We will unify as one voice for this experience with you.

    To start, let us say, that everything is vibration. From the chair that you may be sitting in to the paper of this magazine you are holding, everything is in a state of vibration. This is not a new idea. Your ancient mystics have known this for many a millennium, but now your scientists are beginning to understand this and agree with this. It is a wonderful start.

    From the electrons spinning around the nucleus of an atom, to the planets spinning around suns in the galaxy, everything is in movement. Everything is in vibration. And if it is in vibration, it is putting out a sound.

    Now, whether or not we can hear this sound is a different matter. Sound travels as a wave form. First, let us say that one way of measuring sound is how fast or slow this wave form is moving. These waves are measured as cycles and sound is measured in cycles per second. This is called its frequency. Very slow waves make very low sounds. Very fast waves make very high sounds. The lowest note on a piano is about 24 cycles per second. The highest note on a piano is about 4,000 cycles per second.
    Now, we hear from around 16 to about 16,000 cycles per second. Yet just because we can't hear something does not mean it is not vibrating, nor creating a sound. Dolphins can project and receive information upwards of 180,000 cycles per second, more than 10 times that of humans. And this to them is sound. Do not let the notion that if you can not hear an object it is not vibrating or making a sound. There--we have solved the old Zen Koen asking about a tree falling in the forest.

    Every object has a natural vibratory rate. This is called it's resonance. One of the basis principles of using sound as a transformative and healing modality is to understand the idea that part of the body is in a state of vibration. Every organ, every bone, every tissue, every system--all are in a state of vibration. Now, when we are in a state of health, the body puts out an overall harmonic of health. However, when a frequency that is counter to our health sets itself up in some portion of the body, it creates a disharmony that we call dis-ease. This is very simple to understand, yes?

    Now, if we were somehow able to create the correct resonant frequency for something that was vibrating out of harmony, say for example, the liver, and we were able to project this frequency into that area, one could conceivably create a condition of healing by restoring the imbalanced area back to its own resonant frequency. It is as though your body and all its parts are like some wondrous orchestra that is playing some sort of "Symphony of the Self" when we are healthy. But what happens when the third violin player from the end looses their sheet music? Soon this player begins
    to play out of harmony and rhythm. They are not only playing the wrong notes and the wrong timing, they begin to affect the whole string section. Pretty soon the entire orchestra begins to sound badly. This is what happens when a counter frequency sets into the body.

    Currently, our medical approach to dealing with this problem is simply to either give the poor string player enough drugs so they collapse and are no longer in the orchestra--either that or to cut the head of this player off with a broad sword. This does alleviate the initial problem. The string player is no longer playing the wrong notes. In fact, they are no longer playing period. But what if it were possible to somehow give this player back their sheet music. What if it were possible to somehow encode and project the correct resonant frequency back into the organ and get it vibrate to its proper frequency? This is the basis of using sound for healing; to restore back to harmony some portion of the body that is vibrating "out of tune". This is a marvelous concept and one which is becoming more and more understood as time goes on.

    There is another aspect of sound healing which we will deal with later. It has to do with the use of sound frequencies to nullifies the vibrations of that which set the body portion off its normal resonance in the first place. We will clarify this concept in the future. For now, the first is enough for your understanding.

    Many of your new spiritual scientists, discoverers and therapists are working with this concept of resonant frequency healing to create balance. Many are successful. They have developed different instruments, machines, tapes and other sound devices which project the healthy resonant frequency of a body part, (or, for the matter, of the chakras) into a person.

    We are all for the various devices and what we call "toys" that you on the Earth plane seem so fascinated with. We would like to suggest that while some of these devices may be very effective for restoring resonance back to that which is vibrating out of harmony, you all have within yourselves the most powerful, effective and wondrous device for healing that you can imagine. It is free, extremely efficient and it does not require batteries or electricity. It is your own voice. Your own, if we may, God given instrument for sound healing. It requires only a little training to use, does not require another operator to be applied, and it allows your to find the exact frequencies for resonance. This does not happen with many of your toys which are "locked into" specific sounds for specific parts. This does not allow for frequency shifting, which is the change of the vibratory rate of either a part of the body, or the whole body and its associated energy centers as well. We will discuss more of this later as well.

    You on the Earth plane like your toys. Your hospitals and medical centers are full of many toys that project sound and other vibrations. You now have catalogs full of these toys that you can use in your home to induce meditation and what not. Many of your new researchers have developed sound devices that project different frequencies into
    you for different effects. They are useful and sometimes very fun and we encourage them. However, it is important to realize that they are merely tools producing and effect. And this effect can be achieved without them if you are interested in doing a little work on yourself. What is most interesting, however, is that while many of these sound devices and recordings do create positive change, the actual frequencies or notes that they use are not the same.

    To illustrate this, let us discuss your chakras for the moment. They are these spinning discs that feed energy into what becomes the physical body. When Jonathan was first researching this area many years ago, he came across a simple system that worked with the 7 chakras using the seven notes of the C major scale. In this system, your root chakra was vibrating to the note "C". The next chakra resonated to the note "D". The next chakra to the note "E" and so on, with the crown chakra vibrating to the note "B". It was a very easy system and Jonathan was quite pleased to find this. However, as he continued with his investigation into this, he found many other systems that worked with many different notes besides these. The variety of different notes that was used was quite extraordinary. And none of them was in agreement. This caused Jonathan some perplextion as he could not understand how all they different systems were not in agreement with each other and yet all of them seemed to work to some degree. Then he developed a formula which he first put forth in his book HEALING SOUNDS.

    The formula is this: "FREQUENCY + INTENT = HEALING". Frequency of course, is the actual sound used. Healing was a term he used back then to describe the process of putting something into its healthy resonance. He would today use the term "Frequency Shifting". Intent, in this formula, is the important ingredient. Intent is the energy behind the sound. It is the consciousness that is encoded into the sound. Intent is very important.

    Jonathan began to realize that it might be possible for two people to make the same sound and have a very different response, depending upon the energy that was put into the sound. Have you ever had someone you were not particularly fond of see you at a party and say in a snake-like tone "Good to see you" and felt as though you immediately wanted to leave the party. While the words (or the frequency) may have been one thing, the intention (or energy behind the words) said quite another. And the effect was not one of welcoming, but rather something very different. This is an illustration of how intentionality affects the outcome of the sound.

    Returning to the subject of the chakras, Jonathan found that even specific mantras would resonate different chakras, depending upon the intentionality of the person giving them. The "Om" might resonate the heart chakra, or the belly chakra or the third eye--it all depended upon what a spiritual master might be teaching to a person. As Jonathan began to realize the importance of intention, he began to spend considerable time in his teachings stressing the important of this. And at the time, it was necessary to do this. However, we admit that he went a little overboard. Initially he began by talking with scientists and medical doctors who were so interested in examining only the frequency of the sound that the idea of intention was a new (and somewhat ridiculous idea to them). Nevertheless, Jonathan continued sharing the importance of intention in his workshops, lectures and writing. And as usual, things got a little out of alignment. People began to think "Well, it doesn't matter what sound I make as long as my intention is there".

    On one level, this is true. On another level, it is not. The formula which Jonathan was given was "FREQUENCY + INTENT = HEALING". This formula was created for the 3rd Dimensional Earth plane as it is currently evolved in your time and space. While it is true that in higher dimensionalities, Intent (and consciousness) does create all, very few beings on your planet have reached the level of development, where the actual sound they create is unimportant and the intention is everything.

    Now undoubtedly, there are spiritual masters on your planet who can belch or create any such sound and produce miraculous results. However, a majority of you (while you may perceive you are spiritual masters, and you may be) have not reached the state of development where you can do this. We illustrate this point by saying that if you wish to calm someone down with a sound and then you shout in their ear, the result will be that your shouting will undoubtedly produce severe reactions of agitation in the individuals. Their heart beat, respiration and brain waves will all escalate and they will probably not enjoy your shouting in their ear, regardless of your intent. So we say that until you can levitate or dematerialize or do any of a number of frequency shifting exercises that you will ultimately be able to do, we urge you to pay attention to the frequencies that you are using. As well as the intentionality that you are putting into these frequencies.


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    Re: Solfeggio Frequencies

    Post  mudra on Wed Feb 09, 2011 5:03 pm

    Alpha Wave Movement - A Quiet Invocation

    http://www.youtube.com/watch?v=9wPQmOYKLtc


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    Re: Solfeggio Frequencies

    Post  mudra on Sat Feb 26, 2011 5:12 pm

    Conscious Dreaming

    ]http://www.youtube.com/watch?v=ozSBb8-BzII&feature=related


    ~4 Hz Entrainment Audio Program~
    Tibetan overtones and undulating drones
    sound behind a curtain of rain. This meditation
    CD is powerfully effective in stimulating a
    dreamlike state, while also promoting
    expanded awareness. With this meditation you
    will achieve deep relaxation, syncopate your
    brain hemispheres, and activate brain power
    for your super-conscious mind.


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    Re: Solfeggio Frequencies

    Post  mudra on Sat Feb 26, 2011 5:34 pm

    Alchemical Art ~ 528 Hz Emerald Heart Ascendance Solfeggio Love Frequency

    http://www.youtube.com/watch?v=o9TFmhTOIX4


    528Hz Emerald Heart Ascendance

    Full length - 30 min - http://sourcevibrations.com/download_solfeggio.html

    This track is a theta delta brainwave
    entrainment program set to the solfeggio LOVE
    frequency 528Hz corresponding to emerald on
    the electromagnetic spectrum. This track aids
    in the activation of the higher heart of Divine
    Love, creating powerful resonant field peace
    and compassion.

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    Re: Solfeggio Frequencies

    Post  mudra on Thu Mar 24, 2011 3:11 pm


    852 Hz Frequency Returning to Spiritual Order

    http://www.youtube.com/watch?v=GtSGRNY7Hc0&feature=related


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    Re: Solfeggio Frequencies

    Post  mudra on Fri Jun 17, 2011 4:11 pm

    1 Hour 741Hz Conscious and Intuitive Expansion Meditation Recalibrated to 432 Tuning

    http://www.youtube.com/watch?v=e-6H3HUVUaY&feature=channel_video_title


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    Re: Solfeggio Frequencies

    Post  mudra on Tue Aug 23, 2011 7:27 pm

    Dr James Hopkins - Infinite Overtones

    http://www.youtube.com/watch?v=V95mWp1t2O8


    Audio from the album Golden Ratios - Pythagorean Harmonic Healing I....
    Images from Tarot Roots of Asia...

    Thubs Up

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    Re: Solfeggio Frequencies

    Post  mudra on Tue Aug 23, 2011 7:33 pm


    Jonathan Goldman - The Lost Chord

    http://www.youtube.com/watch?v=s6qW6Z8yeGs&NR=1


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    Re: Solfeggio Frequencies

    Post  mudra on Wed Aug 24, 2011 6:16 pm


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